Wednesday, August 10, 2016

Camera for the rest of us review: Pentax P3, a handy little classic


This particular camera has a story. My friends Alan and Mary owned a flower shop where I worked for for 12 years. This was the "shop camera". The portfolio for their wedding work was shot with this camera and a nice off-camera flash gun. Eventually, Al and Mary got tired of the business, Al took online classes to complete his BFA in film and television, and, we all lined up jobs offering health and retirement benefits which this small business couldn't afford. I ended up selling coffee. Alan handed me this camera and the flash when we closed shop back in 2001 or 2002.

The Pentax P3 was a consumer grade film SLR in the 1980s. Unlike the use for three years and throw away DSLRs of today, even the pedestrian camersas of the '70s and '80s were build to last. The bottom plate and the film door are both made of metal. The rest of the body is hard plastic. Not scary-flimsy plastic, though, this camera can take some hard knocks...and it has. It is manual focus only. Exposure is either full-manual or a full-automatic program setting which sets both the aperture and shutter speed for you. The P3 is one of the easiest cameras to shoot manual with. Actual and recommended shutter speeds are matched in the viewfinder by bright, easy to read LEDs. The shutter speed wheel is easily manipulated with just the right index finger without taking the camera from your eye..

The Pentax professional model at the time was the LX, the P3 was aimed at beginners, hobbyists, and snapshooters. ISO is set via the film's DX coding only. there is no override. Also, It has program automatic, but no aperture priority. The lack of aperture priority is no big loss, though, manual exposure is easy to accomplish if you are looking to control depth of field. The shutter speed wheel is easily moved with just the right index finger without taking one's eye off the viewfinder. To set the camera to program, you simply move the aperture ring on the lens until it lock in the "A" position.

I have the kit lens which is the SMC Pentax-A 50mm f/2. Pentax has several fine 50mm lenses, this one got the least respect. Manual focusing with AF lenses is fine, but it's not what they are made for. A real manual focus lens like this 50mm is smooth, accurate and feels really nice to use. Because of the fast aperture of the lens, the bright LEDs in the viewfinder, and the P3's low profile, this is a camera I would not hesitate to put 400 or 800 film in and take out for nighttime street photography.

Features:
Manual Focus
Manual Exposure/Program Autoexposure
Shutter speeds up to 1/100 sec. 1/100 sec flash sync
AE Lock
Depth of field Preview

The Pentax P3 is a small, lightweight, but solid little manual camera. It's not pretty like my Nikons, but, it works well. It's good to throw in a backpack or to take with you when weight and compactness is a priority, which is most of the time for most of us who have no interest in schlepping a professional "on assignment" kit around.

Photos shot on Ilford XP-2 Super 400


The highlights on all of the shots on this roll were very slightly over exposed,. I brought the average exposure down just a little in Photoshop.



These kids were playing 1960s garage rock and some AC/DC. I'm glad to see that good taste in music is not completely lost on the new generation.






Thursday, August 4, 2016

GOT overview and Writing Exercise: The Battle of the Bastards" as witnessed by Maester Wylam Crandal who was there.

After much work, we are pleased to announce that the manuscript known as "The Crandal Manuscript" has finally been restored and translated. It was found in surprisingly good condition given it's age, and most of the words have been recovered. It is apparently an eyewitness account of a battle for which we have no other actual history. The author mentions the onset of an unusually brutal winter, so, it is our suggestion to examine know tree ring data for potential dates for this so-called "Battle of the Bastards". There are also some clues in the manuscript which may lead us to the site if we can get funding for a search. I believe recognition is in order for our entire team for their tireless efforts on this project. Enclosed is the full translation.
JCF

Introduction

   To my brothers in knowledge at The Citadel, I have endeavored to write as true an account of the battle outside Winterfell, known in The North as the Battle of the Bastards, as I can manage. My report to you will be based on my own observations as a witness, as well as interviews with the participants. If The Seven give their blessing to my endeavor, in the years to come, when these events have faded into history, we should posses an accurate understanding of what had transpired here.
   The rulers at Winterfell have ordered that no ravens be sent regarding the transfer of power in The North, but, by the time that this correspondence reaches you, it will surely have been preceded by rumors. It took several weeks for this report to be compiled, given my other duties here, and it will take as many months for it to travel the length of the continent and reach you (if you receive it at all). I sent it along with a wandering crow. I stressed to him that this was Citadel business of the greatest import, but, he seemed an unlettered fellow, and I have no doubt that there is an even chance that this document may find use as privy paper before it reaches Oldtown.
   This Night's Watch brother and Lord Jon Snow spoke for a long while, and from their conversation, I garnered some understanding of the recent events at Castle Black. The Lord Snow, advised the brother to bypass King's Landing, go straight on to Oldtown, and, when there, to look up one of their own who is studying at The Citadel. The stated reason for avoiding King's Landing was the unpredictable political situation there, but, I am of the opinion that Jon Snow wishes to control any information about the situation in The North which reaches the Iron Throne.
It saddens me to confirm that Maester Aemon, one of our most respected members, has recently passed on at the age of one hundred and two.

The True Account of the Battle of the Bastards

Prologue

   I, Wylam Crandal, a maester of The Citadel, serving at Bear Island for many years, did go with that tiny force led by lady Lyanna Mormont to Winterfell. House Mormont has been the most loyal Stark banner for a thousand years. My purpose in going with the war party was to attend to the wounded and injured. I had with me my medicines, but, also saws, tourniquets and other ghastly tools of surgical trade.
   How Winterfell, the ancient seat of House Stark, since the age of the First Men came into the possession of House Bolton has been written of by others, and I will not go into that here, but I will touch on what has happened since. Lady Sansa Stark, the elder daughter of Eddard Stark, who was residing in The Eyrie had been given to Roose Bolton's legitimized bastard, Ramsey Bolton, the former Ramsey Snow, in marriage. The marriage was intended to legitimize Bolton rule over The North. Sansa Stark had gone unwillingly into this marriage, and the legendary cruelty of the mad Lord Ramsey finally caused her to escape. She leapt from the high walls of the castle into the deep snow with Ramsey's much abused servant, Theon Greyjoy. This is the same Theon Greyjoy who briefly held Winterfell on behalf of the Ironborn and who was raised with Lady Sansa and her siblings as Lord Eddard's captive and ward. She flew to Castle Black where her kinsman, Jon Snow was the Lord Commander. On Lady Sansa's way to Castle Black, she acquired the services of the famed swordswoman Lady Brienne of Tarth, and her squire Podrick Payne. Theon Greyjoy then left the small party to go back to his home on the isle of Pyke.
   Not much is written about Jon Snow. He was born in the south at the end of Robert's Rebellion. Eddard Stark insisted that the infant Jon Snow was his son, but, the mother's name, country, or even if she was of high birth or low has remained a secret to all including the boy. The babe was was first seen with Lord Eddard shortly after the famous fight at the Tower of Joy. Jon Snow was raised in Winterfell and joined the Night's Watch in the last year of our beloved King Roberts reign. House Stark's tradition of sending it's noble sons to serve at The Wall is as old as The Watch.  Jon Snow served as valet and aide to Lord Commander Jeor Mormont and, he, himself, eventually rose to the position of 998th Lord Commander. Lord Commander Snow was famous, or infamous, for opening the gates of Castle Black to the King Beyond The Wall, Mance Rayder, and his wildlings, recruiting their warriors, and allowing the families to settle in The Gift. He also sent a fleet into Hardhome to evacuate that town before it was over-run by whitewalkers. I, myself, was skeptical of the whitewalker claims, but I have later interviewed enough wildlings to become convinced of the veracity of the tale.

A short note: "King Beyond The Wall" is a bit of a misnomer, since The Freefolk, as the wildlings call themselves, have no true kings in the sense that we know kings. The Freefolk kneel before no man, and they chose to follow who they will based solely on a potential leader's talents, not through force of heredity. I shall continue to use the name Freefolk for these people in the rest of this report.

   In response for bringing the Freefolk south of The Wall, Lord Commander Snow was killed in a mutiny, but was brought back from the dead by a priestess of R'hollor named Melesandre who had some influence on Stannis Baratheon and his queen, and was residing at Castle Black after the loss of the Baratheon army outside Winterfell. Some followers of this strange religion have been known to possess the skill of reviving the dead. I have interviewed Lady Melesandre for this report. She insists that only her god, the Lord of Light is capable of bringing someone back from the dead, and that, as his servant, she is only a means for him to accomplish his will, and if it wasn't the Lord of Light's will, Jon snow would have remained dead in spite of her efforts.
   The conspirators were eventually all hanged, and Jon Snow, using the fact that he technically died at his post claims to be free of his vow to serve the watch for life. I am hard pressed to fault the legality of his logic. The de-facto Lord Commander at Castle Black is presently Eddison (doloruus Edd) Tollett. When Jon Snow, Sansa Stark, and Ser Davos Seaworth (Stannis Baratheon's former hand, and now friend to the Stark cause), arrived on Bear Island, Jon snow was wearing the Valyrian sword Longclaw, which I have seen many times, since it was given to Lord Snow by it former owner, Jeor Mormont.
   The flight of lady Sansa was only the first of several events that made the conflict inevitable. Lord Roose Bolton's lady wife, Walda Frey, gave birth to a son. As Roose Bolton's true born son, the babe's existence threatened Ramsey's inheritance. The abominable Ramsey killed his father with a dagger and sent the unfortunate Walda and the babe into the kennels to be eaten alive by his brutish, man-eating hounds, thus claiming the castle for himself. Smalljohn Umber then arrived at Winterfell and presented Ramsey with the last surviving Prince of Winterfell, Rickon Stark, who had been in hiding at Last Hearth, for the purpose of sealing an alliance against Jon Snow's wildlings, whom he feared. Thus, Ramsey Bolton had in his possession the last true born male heir of House Stark known to still live. With this, Ramsey Bolton sent a message to Jon Snow threatening to attack Castle Black and promising every manner of depravity. No man, lord or king, has ever threatened to attack the Night's Watch before this date.
   If the things that the witnesses to Hardhome say are even half true, then horrors not seen since The Long Winter are close upon us and the realms of the living will need a Warden of the North more sober than Ramsey Bolton. Thus the decision to end Ramsey Bolton's hold on Winterfell was inevitable. The Starks would fight for the honor of their house, the rescue of their brother, and revenge for the red wedding. The Freefolk would fight for nothing less than a land on which to farm and heard, and the very survival of their people.
   Sansa Stark presently sent Lady Brienne to her cousin, Brynden "The Blackfish" Tully, to request his help. The stubborn Blackfish was holding Riverrun against a siege by the Freys and the Lannisters at the time and refused to budge, which kept the Tullys out of the war for The North. Lady Sansa, Lord Jon Snow, and Ser Davvos Seaworth traveled the north lands attempting to raise what remained of House Stark's old banners, which brought the trio to Bear Island. And, thus we found ourselves encamped on the wind swept grass near Winterfell.

The Battle of the Bastards

Brothers, I shall now describe to you the bloody horrors that I witnessed in this grim land where I loyally serve.

The day before the battle, the war leaders of each side met upon their horses on the frozen field between their forces for the required parlay where each side delivers terms that the other cannot accept, but, which must be done for the sake of appearances. With Jon Snow was Lady Sansa Stark, Ser Davos Seaworth, Lady Lyanna Mormont, and the chieftain of the Freefolk, Tormond Giantsbane. With Lord Ramsey were members of houses Umber and Karstark. The banners of Stark and Bolton fluttered in the frozen wind. The words of those individuals involved was reported to me as follows:

   Treacherous Lord Ramsey spoke first, with ringing voice, and he said "My beloved wife, I've missed you terribly. Thank you for returning lady Bolton safely. Now, dismount and kneel before me, surrender your army and declare me the true lord of Winterfell and Warden of the North. I will pardon you for deserting the Night's Watch. I will pardon these treasonous lords for betraying my house. Come, bastard, you don't have the men, you don't have the horses, you don't have Winterfell. Why lead those poor souls into slaughter? There's no need for a battle. Get off your horse and kneel. I'm a man of mercy".
   The white wolf, brave, beleaguered  Lord Jon spoke next, a true northern accent coming forth from his his throat. "You're right, there's no need for a battle. Thousands of men don't need to die. Only one of us. Let's end this the old way; you against me."
   Lord Ramsey then replied "I keep hearing stories about you, bastard, The way the people in the North talk about you, you are the greatest swordsman that ever walked. Maybe you are that good, maybe not. I don't know if I'd beat you. But, I know that my army will beat yours. I have six thousand men. You have, what, half that? Not even?
   Lord Jon then said "Aye, you have the numbers. Will your men want to fight for you when they hear you would not fight for them?
   Lord Ramsey pointed and said "He's good, very good", and turning to fiery haired Lady Sansa, said, Would you let your little brother die because you are too proud to surrender?"
   Lady Sansa then spoke and asked "How do we know that you have him?" Smalljohn Umber, hairy and brutish, then reached into a sack tied to a saddle and threw the great head of a black direwolf on the frozen ground. lady Sansa looked at Lord Ramsey with cold, blue eyes and said "You're going to die tomorrow, Lord Bolton. Sleep well". She then turned her horse and rode away.
   Lord Ramsey turned to Lord Jon and said "She's a fine woman, your sister. I look forward to having her back in my bed. And you're all fine looking men. My dogs are desperate to meet you. I haven't fed them in seven days, they're ravenous. I wonder which parts they'll try first. Your eyes? Your balls? We'll find out soon enough. In the morning then, bastard". The heathen, Bolton, and his men then turned their horses toward Winterfell.

   The Stark battle plan was a good one. They were to stay in position and allow the petulant Lord Ramsey to attack, Trenches the Stark forces had dug would direct the Bolton cavalry into a narrow area in the center. The Stark center would then fall back allowing the Bolton cavalry to pursue. The Starks would then envelope the Boltons on three sides. It was a good, solid, classic plan of battle that no-one learned in the arts of war could argue against.
   This was the plan devised at the Stark war council the night before the battle. Lord Jon, Lady Sansa, Ser Davos, and the Giantsbane present. When the council ended and the two siblings were alone, lady Sansa spoke. "You've known him for the span of a single conversation you and your trusted advisers, and you sit around making plans to defeat the man you do not know. I've lived with him. I know the way his mind works. I know how he likes to hurt people. Did it ever once occur to you that I might have some insight.If you think he'll fall into your trap, he won't. He's the one who lays traps. he plays with people, he's far better at it than you. He's been doing it all his life. You don't know him.
   Lord Jon then said. "Alright tell me. What should we do? How do we get Rickon back".
   Lady Sansa, her clear voice lower did say "We'll never get him back. Rickon is Ned Stark's true born son, which makes him a greater threat to Ramsey than you, a bastard, or me, a girl. As long as he lives, Ramsey's claim to Winterfell will be contested, which means he won't live long. Listen to me, please, he want's you to make a mistake. I don't know anything about battles, just don't do what he want's you to do. If Ramsey wins, I'm not going back there alive. Do you understand me?
Jon Said "I won't let him touch you. I will protect you".
   Sansa's last words before exiting the tent were "No one can protect me. No one cans protect anyone". Then she walked out into the cold. As we shall see, Jon Snow should have kept all of  this sisterly advice in mind.

Outside, Ser Davos walked the beyond the camp and came across the remains of a pyre. Amongt the charred wood, he found the remains of a toy stag, which he recognized, for he had carved it himself and given it to Stannis Baratheon's young daughter, Shireen for whom he had fatherly affection. The priestess Melesandre had convinced the proud Lord Stannis (or King Stannis, depending on your point of view) that he was the reincarnation of Azor Ahai, and that his victory was necessary to save the realms of the living from the long night. She also convinced him that victory could only be assured through the sacrifice of royal blood. Thus, Princess Shireen was tied to a stake upon a pyre and her innocent life burned away.

   Thus, the Stark and the Bolton forces would array against each other on the hard, frosted grassland outside the walls of ancient Winterfell. The savage Boltons had left flayed prisoners burning upside down on crosses in the middle of the field. The Stark army numbered just over 2,400 men. The bulk of the army composed of 2,000 Freefolk led by their chieftain Tormund Giantsbane.  Also on the Stark side were 200 men of house Hormwood, 143 men of house Mazin, and 62 ferocious fighting men from house Mormont brought by lady Lyanna. Ser Davos Seaworth served as second-in command.
   With the Freefolk was the giant Wun Weg Wun Dar Wun, also known simply as Wun Wun who stood as tall as a weirwood tree and who's chest was as thick as a weirwood's trunk. The old cliche says that there is always some grain of truth in legends There is always some truth to legends Your humble chronicler had believed that giants must have been some ancient hairy, creatures who may be now lost to time, or may even still exist in the deepest forests, but, having no contact with modern men. Thus, they would became larger in men's minds as stories about them were told. Then, I met and spoke with the mighty Wun Wun, and now know the truth that giants are as real and intelligent as you and I.
   The Bolton army numbered 6,000 men. 5,000 men from house Bolton, 500 men from house Karstark commanded by Lord Harold Karstark, and 500 men from house Umber commanded by Lord Smalljohn Umber.
   Missing from the battle were Houses Manderly, Glover, and Cerwyn who refused to raise their armies. Also missing was Lady Brienne of Tarth, who was traveling back north from her failed mission at Riverrun. Ramsey Bolton left his horrible curs out of the battle. Likewise, did Lord Snow leave out his terrifying white direwolf, Ghost.
  Lord Ramsey brought forth young Rickon Stark, cut the ropes holding him and made him run across the field to his brother. Rickon ran as lord Ramsey loosed arrows from his longbow, intending to miss, toying with the young man, and with his brother, at the other end of the field. Jon Snow, brave and foolish, jumped atop his great black steed and charged across the field towards Rickon. When he reached his beloved brother, one of Ramsey's arrows found it's mark and pierced the young man's body and he fell, breathing his last breath on the cold ground.
    Jon Snow found himself alone on the field, equally distant from his own lines and from his enemy's, his choice to charge forth, or retreat back to his army. As the Bolton archers loosed their first volley, he spurred his charger forward. Ser Davos ordered the Stark cavalry and Freefolk to charge, and carefully laid plans blew away in a frigid northern wind. Jon Snow's horse was laid low by an arrow. He arose, and, throwing belt and scabbard aside, drew Longclaw. Ramsey Bolton ordered his light horse to charge therupon.

   From my vantage point a safe distance from the fray, I saw a man standing alone between the two charging armies awaited the fate which the gods had decided for him, when suddenly the forces collided all around him. Bolton arrows continued to rain upon the men as they fought, bringing low men and horses on both sides, as Ramsey Boton sacrificed the lives of his own men for the chance to kill Stark men and Freefolk. Men who had their screaming horses shot from under them continued to fight on foot. I saw Jon Snow in the midst of the chaos, fighting with skill and fury. Once before, as a much younger man, did I see a knight wield a sword in battle with such fury and shadowcat-like prowess, and that knight was no less than Prince Rhegar, himself. Ser Davos, unwilling to shoot his own men as Lord Ramsey, ordered his archers to drop their bows, pick up swords, and charge.
  Like Jon Snow, the great kings and princes of the age fight from the front, so their men can see them and take heart knowing that their lord is at their sides. One such prince was beloved King Robert who, with his great hammer, relished in the fury of battle. With Lord Ramsey, I saw something new and different. He stayed in the back, ordering his forces here and there like a Cyvasse master controlling the board from above. Craven, for sure, but a much more efficient use of a commander's time, for it allowed him to see everything at once, and command with flexibility.
   Arrows from Bolton longbows continued to darken the sky. Bodies of the dead piled up on the field as great, gruesome barrow mounds. Men's blood melted the frosted ground which turned to mud. Lord Ramsey ordered his infantry to enter the battle next. This included the northern screamers of houses Umber and Karstark, and the spearmen of house Botlon who were disciplined solders of a kind rarely seen in the north.with great shields.
   The Bolton spearmen surrounded the Stark banners and the Freefolk, forming a half circle and locked their shields. Jon Snow's men found themselves with a phalanx on three sides and a mountain of the dead to their rear. Men battered themselves against the shield wall in desperation. Wun Wun threw man and shield and spear aside, only to see them replaced. Smalljohn Umber led his northerners over the hill of the dead, attacking Jon Snow's rear. Still living men trapped on this heap moaned ans screamed.
   The Bolton infantry then closed the half-ring of shields and spears tighter. Spearmen moved not as separate men, but as a single wall of steel. It was an alien tactic for this frozen land and seemed borrowed from the ancient armies of Essos.
  Jon Snow's army became a desperate press of men unable to move. With my own eyes, I did see John Snow disappear below the writhing human sea. I am told that in the crush, Tormond Giantsbane and Smalljohn umber found each other and the Giantsbane did put a dagger of sharpened antler through the Smalljohn's neck, his life leaking out of him in a pool of red. The battle was lost. The united cause of the Starks and the Freefolk was perishing with every last man who fought for it in the cold mud outside Winterfell. I then heard the blare of trumpets echo over the rolling hills of the northern plain. The  Knights of the Vale had entered the battle.
   Some weeks earlier, Lady Sansa had sent a raven to Lord Pyter Baelish who was commanding the Arryn forces holding Moat Cailin on behalf of Lady Sansa's cousin, the young Lord Robert Arryn, and, so, Lord Baelish led his men north. The Knights of the Vale rode over the hill in their martial magnificence, their bright eagle and moon banners flying proudly in glorious blue and white against the dreadful grey north sky. The Arryn heavy horse smashed through the Bolton shield wall from the rear. With the collapse of the shield wall, the battle turned quickly. From a distance, I saw the unmistakable red hair of Lady Sansa who sat atop her horse on a hill with Lord Baelish on her right and Lord Yohn Royce on her left.
   Lady Sansa had pleaded repeatedly of her brother not to commit to the battle until he had more men. His reply had always been the same. There are no more men, we fight with the army that we have. I approached the lady some time after the battle and asked her why she did not inform Lord Snow that she had secured these reinforcement and that they were on their way. I did not get an answer.
   The craven Ramsey Bolton retreated behind the great gate of Winterfell with his generals, leaving the men who fought so bravely for him to be slaughtered to the last man like so many bleating sheep. Jon Snow, the mighty Wun Wun and Tormond Giantsbane, and a small band pursued on foot. I followed.
   When I reached the outer ward of the ancient castle, it's gate had been smashed to pieces by the giant who had finally fallen for the last time, feathered by dozens of arrows. Bodies of Bolton men lay strewn throughout the courtyard. Jon Snow dropped Longclaw and lifted a shield decorated with the Mormont bear, and ran towards his enemy who shot arrow after arrow into the shield. Jon Snow broke Ramsey's jaw with the shield and jumped atop him. In a dark rage, he turned the mad lord's face into so much ground mutton with his bare fists.
  What remained of Ramsey Bolton was found the next morning in Winterfell's kennel, eaten alive by his own dogs. It is suggested that it was Lady Sansa who unleashed the starved curs upon him, but no one is sure. What is known is that the line of house Bolton died that day for all time.

Epilogue

  The pyres burned for many days after, the stench of roasting man-flesh invading one's nose and never leaving. Burned were the bodies of wasted men who will never again look into a sweetheart's eyes, or feel soft, tilled soil between their fingers. The common people do suffer so when the higher-born decide to fight to posses this castle or that castle, or to call themselves wardens of one thing or another. The glory of warfare is lost on those who must afterward put together the broken bodies and mumble some philosophical nonsense to men with broken souls.  I busied myself with stitching wounds, sawing limbs, and carrying the arms and legs which I stole to the fires.
   Lady Melesandre was banished from The North for her aforementioned crimes on the day the lords of the great northern houses met in the great hall at Winterfell, including those who stayed out of the war. Lady Lyanna Mormont arose and said these words: 
  "Your son was butchered ad the Red Wedding, Lord Manderly, but you refused the call. You swore Allegiance to House Stark, Lord Glover, but in their hour of greatest need you refused the call. And, you, Lord Cerwyn, your father was skinned alive by Ramsey Bolton, still, you refused the call.  But, House Mormont Remembers. The North remembers. We know no king but the King in The North who's name is Stark. I don't care if he's a bastard, Ned Stark's blood runs through his veins. He's my king until his last day".
Lord Manderly rose next and said. "Lady Mormont speaks harshly and truly. My son died for Robb Stark, the young wolf. I didn't think we'd find another king in my lifetime. I didn't commit my men to your cause because I didn't want more Manderleys to die for nothing. But, I was wrong. Jon Snow avenged the Red Wedding. He is The White Wolf, the King in The North". Harold Glover did rise and with a great oath, did rise next and pledge his fealty and, at that, all the men rose, lifted their swords and shouted greatly. This is how kings rise in this country, not in golden ceremonies with crowns and septons, but raised swords and great shouts of "The King in The North!".

Tuesday, July 5, 2016

Game of Thrones 6-10 "The Winds of Winter". Review of the season finale.

The Tale of the Rat Cook
One of the long abandoned fortresses lining The Wall is The Nightfort. Long ago, when The Night's Watch still held the Nightfort, the Andal king came to visit with his son. In response to some slight, the cook murdered the king's son and baked him into a pie. He then fed the pie to the king. The king loved the taste of the pie so much, he asked for a second slice. The Old Gods were outraged at the cook. They punished the cook by turning him into a great white rat unable to eat anything but his own young. And he is always famished, doomed to forever eat his own children. The gods did not punish the cook for murder, or for turning the king into a cannibal, but for harming a guest under his own roof. Some say that the Rat Cook still lives at the Nightfort.

This fairie-tale is told to children in the north to teach them never to violate the law of guest-right, which the Northmen hold more sacred than any other law. Arya Stark of Winterfell would have heard this tale many times from her nurse, Old Nan. Thus it was that when Arya Stark arrived at The Twins, she wore the face of a serving girl and cooked the sons of Lord Walder Frey into a pie and served it to him before killing him; for he had murdered the King In the North, who was a guest under his roof.

Meanwhile, Brandon Stark, who is now the last Greenseer, follows Ned Stark into The Tower of Joy, and we follow him, and we finally learn the thing that we thought we knew, but needed to learn for sure...


Which brings us to Jon, who has a long needed family conversation with Sansa on the battlements of Winterfell before meeting his lords bannermen where the surviving great houses of The North pledge themselves to Winterfell. It is here that Lady Mormont rises and says. "I know no king but the King in the North, and his name is Stark". The meeting of the northern lords puts a crimp in Littlefinger's plans to sit on the Iron Throne with Sansa at his side, but those plans will be soon enough be completely dashed by the Targaryan queen sailing from across the sea. 
My first thought upon hearing the cheers of "The King in the North" was, "Oh, shit, he's fucked". But, Jon is more ready than Robb was and has Sansa's hard earned wisdom to turn to, if he will listen to it. When the time comes to marriage, I might suggest doing the safe Targaryan thing and just marrying his cousin to ensure a Stark heir. We already know he likes readheads.

And what of Jon Snow, who's Stark blood comes, not through Eddard, but, lady Lyanna Stark? How does this affect his claim to be the King in the North? With two Stark sons dead, and one a green-seer Winterfell Falls upon either Jon or Sansa, and either one has earned their place. How will Jon learn of his lineage? There are three possibilities. We know from the books that Bran has the ability to communicate with people through the Weirwood tees, and could talk to Jon and Sansa in Winterfell's Godswood. Sam could dig up the true story of of The Tower of Joy at the library in The citadel. Thirdly, there is still one living witness to the Tower of Joy, Lord Howland Reed.

Fun Game of Thrones fact:
On her days off, Lyanna Mormont enjoys making Chuck Norris cry like a baby.

So, how DID Varys return from Dorne to Meereen so quickly? Maybe he didn't, and maybe it wasn't really so quick. To be fair, he may have caught up with the Targaryan fleet any place between Sunspear and Meereen. Also, he amount of time covered by an episode can be very long. We often see journeys of several months contained in a single episode, such as Jon and Sansa's traveling the length and breadth of The North to raise their banners.

Meanwhile, in Kings's Landing:
I know that there is a theory going around that Tyrion is really the son of Aerys II, but if anyone in House Lannister is a Targayan, it has to be Jamie and Cersei. Cersei is just too bonkers not to be one. At Baelor's Sept, Margaery, realizing that the jig is up, says "We all have to leave, Now!", but the High Sparrow, who has been waiting to become a martyr, looks upon her with pity. His look simply said "Poor girl, don't you understand?". Tommen, unable to protect his Margaery,  unable to protect his subjects, unable to cope with his failure as a king, throws himself out his tower window. Cersei gets the power that she always wanted, but, heavy is the head that wears the crown. And Jamie, who took upon himself the title of oathbreaker to keep Areys from using wildfire on the city saw his own sister use it. What must he be thinking? This must be the time when he realizes his relationship with Cersei is poison and refuses to protect her anymore. he didn't look happy to be back.



Wednesday, June 29, 2016

Camera for the Rest of Us Review: Nikon F3

In a digital world, why would anyone still shoot film anymore? 
Film slows you down. Film may be cheep, but just knowing that you only only have 36 shots inside your camera at a time makes you think differently. You look at the image in your viewfinder the way a painter looks at his canvas, making sure that all the various pieces of the composition are just where you want them to be. You make sure that your exposure is correct, and then you take one shot and move on to another subject.

With manual cameras, the tactile feedback of handling something mechanical with knobs, levers and gears makes you feel like you are communicating with your machine at a personal level.

My F3 with one of my newest lens acquisitions, a used, but almost mint Nikkor 50mm 1.4 AIS.

I was snapping with 110 format instamatics until my first real camera a lovely little Minotla XG series manual SLR, which got me through an undergrad photography course and a trip out west. After college, I traded that in for a Nikon N6006. I thought that the Nikon was amazingly capable, but I also missed the old Minolta.
In the mid 1990s, One of the many things I considered in my lost years fresh out of college was to go pro with my photography, which I never did. I was looking into newspaper careers. I wanted to be Weegee. I was a gearhead, I bought everything, I thought that "real" photographers looked something like Dennis Hopper in "Apocalypse Now".


During this time, the professionals and the amateur gear freaks had been trading in their Nikon F3s for the new F4s for four or five years, so, a lot of used F3s were in the camera stores even while Nikon was still making new ones. They were everywhere, so, I bought one. I also got a motordrive, a lenses, a ridiculous telephoto zoom for taking pictures of birdies from a mile away, and a big press style camera bag to carry all that crap in. My whole kit sent me to the chiropractor on a regular basis. Also, I had a Banana Republic safari vest with a stupid number of pockets to complete the mister photographer guy look. I still have the bag, the vest, and the birdie lens.

The Banana Republic vest was made back in the 1980s when Banana Republic actually sold cool looking safari shit. Hell, they even had pith helmets. Then they were bought out by The Gap who turned the outfit into another mainstream preppy brand. Somebody needs to buck that trend, the world doesn't need more clones of J.Crew, the world needs more people wearing pith helmets.

The F3 was the Nikon flagship pro camera from 1980 to 1988, when it was superseded by the mighty F4. The F3 still remained in production until 2001 when the F5 was being sold. With a 21 year production run there are many, many out there on the used market today for really good prices. Even the ones that look beat up more than likely work just fine. I bought mine used sometime between 1993 and 1995. According to the serial number, it was already a 10 year old camera at the time I bought it and it has been my favorite camera for twenty years since. So, why am I still shooting a camera that is 30 years old?

It's gorgeous. The F3 is a masterpiece of industrial design. To create it, Nikon recruited designer Giorgetto Giugiaro who's portfolio includes a long list of automobiles including the  original Volkswagen Golf, the DeLorean DMC-12 , and the Lotus Eprit.
Nikon hasn't changed it's basic lens mount since 1959, so any Nikon lens between then and now except for (G) lenses will mostly work on the F3.

This is the camera photojournalists used to take into war zones. It was made for people who had to get the shot, get it fast, and then get out of the way of the flying bullets. The body is a hunk of solid metal. The design is modular; an insane number of interchangeable prisms, film doors, and focusing screens were made for it. The film advance lever has ball bearings and is smoother than any other I have ever tried. The electronic shutter is nothing short of reliable, just keep a pair of extra button batteries in your camera bag. You'll need them eventually, but they last a long time.

It has every feature you can imagine you might need in a manual film camera, and everything is done with nice big levers, switches and dials...like a real camera. It has 80 percent center-weighted metering as apposed to the 60 percent on most cameras which makes it easier to pick out what part of the scene you want to meter without having an actual spot meter. Both the DE-2 and DE-3 prisms allow you to see 100% of what ends up on the film, as opposed to the 80 or 90 percent in a typical SLR, and the viewfinder image is absolutely huge. With the depth of field preview, all of this makes the F3 a great tool for fine art photography.

The Camera is only close to perfect, though. The flash sync is only at 1/80, which might be a turn-off for some, but it doesn't bother me, I almost never use flash. The flash shoe is weird, but, more on that later. Your shutter speed and a (+-) exposure guide is read digitally in the viewfinder with a small LCD. In low light, you can press a small, hard to use button to light up the LCD enough to barely read it, or you can just keep it in aperture priority in low light like I do.

The most common prism, the DE-3, or high-eyepoint finder, which is labeled with the letters HP, allows you to see everything while wearing glasses. An F3 sold with the DE-3 was designated the F3HP. With it, you to stay in the middle of the action without having to press the camera into your face and squint hard into the viewfinder. Since I shoot without glasses, I don't find much difference with the older DE-2 prism which lowers the camera's profile slightly. 

When the F3 was designed, Nikon had not yet figured out how to put a regular hotshoe on interchangeable viewfinders, so the F3 has a freaky flash shoe over the rewind crank. TTL flash exposure is provided by the special Nikon SB-12 speedlight. It's a really nice lightweight flash that can be folded flat and put in a coat pocket.
In continuous mode, The MD-4 motordrive burns through a roll of film in the blink of an eye. It also takes 8 AA batteries and makes your camera feel like it weighs about fifty pounds. I don't use it anymore.

All photos: 
Camera: Nikon F3:
Lens: Nikkor 50mm f1.8
Kodak BW400CN 


This one I cropped slightly


This is a re-shoot of a photo I posted earlier

This one had a bright leaf in the top of the frame that I did not like, so I used the burn tool in Photoshop to remove it.


Monday, June 20, 2016

Game of Thrones 6-9 "The Battle of the Bastards".

I will not go into detail about the battle for Winterfell. I plan on doing that in a few weeks in the form of a correspondence written by a character I shall invent, a maester of The Citadel who was on on hand at the battle.

I dare say, giants, and possible historical anachronisms aside, this must have come pretty close to showing the horror of ancient warfare, especially when Jon nearly drowns in the crush of men when his small army was caught between the Bolton shield walls.

Our female protagonists who's slow ascension in a world of kings and warriors we have been watching for many seasons, indeed rise to prominence in this episode. Danerys, with all three of her dragons, makes the Master's war fleet feel the burn, and then makes a pact with Yara Greyjoy. Later, Sansa wins the war for the north by calling in her alliances while her kinsman, Jon, nearly gets himself and his Wildling army slaughtered by Ramsey's trained infantry.

There were three takeaway lessons in this episode.
1: Scoff not at the girl with dragons.
2: Believe your sister when she is telling you something important.
3: Remember to feed your dogs.

Wednesday, June 15, 2016

Game of Thrones 6-8 "No One"

Sandor catches up with the attackers form the Brotherhood. The first three, he cuts down with his axe. No sword, no armor, no shield, just the axe he was chopping wood with, and he brought down a gang of men-at-arms. He then finds the rest of the culprits with nooses around their necks and about to getting strung up by Beric Dondarion for their crimes. Sandor (who is not a man to let a dead man's boots go to waste), chit-chat's with Ser Beric and seems convinced to join up. It looks like The Brotherhood will be traveling north to join the fight against the army of the dead.

Brienne arrives at the siege of Riverrun and convinces Jamie to let her try to talk the Blackfish into giving up the castle to fight for Sansa. She fails, and Jamie sets Edmure, who is the rightful lord of Riverrrun free. Lord Edmure enters and takes command away from the Blackfish and then surrenders. In the books, this taking of Riverrun without fighting, signals the beginning of a new story arc for Jamie where he really starts to work on becoming a decent human being.

A girl, in Braavos, survives the waif and places the waif's face on the wall of faces in the Temple of Black and White, she walks away from Jagen and her life as no one. This completes the self-discovery part of her story. She had to become no one before finding out who Arya Stark of Winterfell really is. The Waif's makes a "and this is why I have to kill you" speech, which villains somehow can never resist. but in hearing it we finally get to know what she really was. The Waif wasn't a cold-hearted assassin, she was the one thing in the world more dangerous than that. She was a religious fanatic.

Friday, June 10, 2016

Camera For the Rest of Us Review: Nikon FE2


Publishing these camera reviews are my way of encouraging myself to get out there and shoot, and to use all of the cameras that have collected on my shelf.  If you have never used a camera with manual controls, I recommend getting one and taking a photography class at your local college just for the creative enjoyment.


I had been looking for something a little  smaller and lighter than my old trusty F3 for vacation and traveling which would also take my favorite Nikkor lenses, especially my 50mm 1.8 AIS. At a bargain price the Nikkor 50 1.8 AI and AIS are as just about as sharp as any lens out there. It has an all-business metal body. The focusing ring has a big rubbery grip and moves fantastically smooth as butter. If you are going to shoot Manual focus, a real MF made in the 1970s or 1980s will feel a lot smoother than any AF lens, which don't feel like they were made for manual focusing. Get one that matches the metering in your camera. When ordering online, make sure to use a reputable used camera dealer. I typically use B&H and Adorama, they are in New York, so they are close to me. They also list on Ebay and Amazon. I just ordered my first lens from KEH, which came to me in great condition for it's age.
Anyway, I wanted to buy a Nikon camera in the FM, FE, FA family as soon as I could afford to. A nice FE2 in silver goes for about $150 on Ebay these days. Black ones can be $200 or more. I was admiring this one at my favorite camera shop and asked the salesman what the price was and he told me $80. The low price took me aback. My first reaction was to ask him to recheck it. My second was to assume something that was wrong with the camera. Everything did check out, and knowing that I would never see an FE2 in this condition for $80 ever again, I bought it on the spot.  I love it already.

So, what is so great about the FE2? It's gorgeous, as you can see. It has very high quality metal construction. Nikon hasn't changed it's basic lens mount since 1959, so any Nikon lens between then and now except for (G) lenses will mostly work on the FE2. It's of a size that fits nicely in the hands. Mechanically, it feels more like a fine watch than a camera. Lastly nothing exists on this camera that does not help you improve your photographic art.  The veiwfinder image is big and bright. Not big like,say,  the F3's, but it still lets you focus and compose without squinting, which means, faster, easier, more enjoyably shooting. Every control is exactly where it should be. It is close to perfect.

There is one drawback. The film advance lever also serves as the camera's on-off switch. Pull the lever out, and the meter and electronic shutter are turned on. Fold it back in, and they are off and the  camera will not shoot. This is actually a good thing, because it keeps you from forgetting to turn your camera off when you put it away. However, if you are left-eyed, the film advance lever will poke you in the right eye. I've tried looking through the viewfinder with my left eye, it's true; if I was left-eyed, I would look for something else.
Will it supplant my F3 as my favorite camera? I don't know, but it's one of the best cameras I ever owned. There is a certain sensory pleasure in handling it, so it invites you to use it. Once you have manual camera basics down, it is intuitive, so it makes it easy for you to create photos you will love in the camera, well before you load up your editing software at home.

Photos taken with Nikon FE2
                              Nikkor 50mm 1.4 AIS
                              Kodak BW400CN
Kodak BW400CN is a black and white film that uses C-41 processing, which means any lab or pharmacy is able to machine develop it and get you a set of prints. Sadly BW400CN is discontinued, I just happened to have some laying around. Kodak and other film makers have been whittling down their film offering in recent years with the ubiquity of digital photography. Most infamous is the disappearance of the legendary Kodachrome. I've taken a liking to this BW400CN. I find that I get much better black and white images from shooting on real B&W film than I get from shooting on color and then removing the color information in Photoshop, which I have been doing. I'm going to go out and buy it until it's gone, if I can, and then look for other C-41 black and white films such as Ilford XP-2. I don't have a darkroom, so It's much easier for me to bring C-41 film to a lab and get prints and professional scans back. These photos were uploaded directly from the scans that I got back from the lab without cropping or Photoshop. I found a great camera store with a lab, called Unique Photo in Fairfield, NJ. It's worth the 30 minute drive from my house.









Thursday, June 9, 2016

Game of Thrones 6-7 "The Broken Man"

We finally get to see Ian McShane for a single episode. McShane plays "Brother Ray", a character based on Septon Meribald in the books. Brother Ray is the leader of a small band of folk who worship the seven and are trying to build a peaceful religious community as war rages around them. Meribald/Ray finds the practically dead Sandor Clegane and nurses him back to health. In the beginning of the episode we find Clegane helping Brother Ray build a small wooden sept for the community. Ray is former warrior who turned away from violence and brutality. he was a short-lived character, but a perfect one for the guest actor, who gave a great "Deadwood"-like  performance. Alas, while Sandor was away chopping wood, all his new friends, including Brother Ray were slaughtered by armed worshipers of R'hollor, presumably the Brotherhood Without Banners.

Jon and Sansa are visiting the great houses of The North trying to recruit them to their cause. They managed to get the always loyal Mormonts and a few others, but, all in all, the Stark siblings are proving themselves to be unpracticed coalition builders. In desperation, Sansa sends a raven to Littlefinger.

Another sibling team, Yara, Theon, and their supporters have dropped anchor at a friendly port of call. Here we learn that Yara enjoys making love to wenches as well as any rogue, to the chagrin of Theon the Sullen. We also learn that she has plans to sail her own fleet to Meereen to find the Dragon Queen.

Jamie and Bronn arrive at Riverrun and are not impressed with the Frey brothers' siege. First the march the entire lannister army behind Frey lines, and the Freys don't notice. Then, the incompetent Frey brothers are threatening to cut unlucky Edmure Tully's throat. The grim Blackfish takes the measure of the brothers and sees they are not capable of doing it. And now we know why Walder Frey is a grouchy old bastard, his offspring are useless. Jamie parlays with the Blackfish who is not impressed with him, either.

At the Red Keep, Queen Margarey goes to her grandmother, the Queen of Thorns to convince her to get out of Kings Landing and flee for Highgarden. Margarey slips her grandmother a small piece of paper on which was a simple hand drawing of a rose. The symbol doesn't look like much, but it means that Margarey is only pretending to be drinking the High Sparrow's Cool-Aide.

In Bravvos, that old lady with the creepy smile was so obviously one of THEM, how did Arya not see? Arya still manages to escape after diving into a canal. She'll won't die today, and she might have to take down the waif, and maybe even Jaqen H'ghar, too, before she is free. Who will she find to help her with he knife wounds? I'm hoping it'll be her old dancing master. I like to think that Syrio Forrel escaped from Meryn Trant and his oafs and fled to Bravvos.

Sunday, June 5, 2016

Ghostbusters Reboots and Remakes

The new Ghostbusters movie trailers have become a  study in gender politics. The heroes of the film will all be played by female cast members, so it has been suggested by many writers that the people who don't want to see this movie must therefore be all gamergate-types with male-chauvinist agendas. Sadly, it is well known that these morons exist in droves. If someone could explain to me what the fuck is wrong with the new generation and where their troglodyte attitudes towards female characters came from, I would love to hear it. My generation, especially those of us who considered ourselves as outsiders, had Buffy Summers, and we loved her. Things have moved backwards since the nineties and I don't like it.

But, I'm not interested in seeing the new Ghosbusters. So, what's my problem? Judd Apatow seems to think that if you want to take a pass on this movie then you probably like Donald Trump. Why do I run from the idea of a rehashed Ghostbusters like it's a reincarnation of Zul?
Ghostbusters wasn't exactly classic cinema, but it was charming, goofy fun and something we all loved...and highly quotable. I just don't see the use in doing it again. I'm open to being proved wrong. I'll pay attention to what people are saying, but I don't have a lot of hope.

In recent memory, George Lucas stripped all the charm out of his original trilogy through his constant re-edits to the point that I can't watch them anymore, J.J. Abrams created a new Star Trek universe that makes me dizzy, attempts have been made to remake Robocop,Total Recall, and Connan, and Tom Hardy grunted his way through a new Mad Max adventure that honestly didn't make much sense.

There is a new Point Break in the works that I have no plans to see unless I read some really good reviews of it. Speaking of which, the entire plot to the first Fast and the Furious movie was just Point Break with cars instead of surfing, which is fine, they did something different with it, and it was good, stupid fun.
There are rumors of a new Highlander floating around. The first movie was cool, but they really fucked up the sequels. I'm not over excited about the idea of a remake, but, what the hell, it's not like it could be any worse than Highlander 2.

Sometimes the time is ripe for a remake. This year there will be a new Magnificent Seven with Denzel Washington apparently playing the Yul Brynner character. The original Magnificent Seven came out in 1960 and was an adaptation of the 1954's The Seven Samurai with the wonderful Toshiro Mifune. There has to be at leas one generation or more that has never seen either classic.

The one franchise that always carries a license to reboot is James Bond. There have been six canon 007's so far. Daniel Craig hates the sexist spy so much he just refused a mind-boggling offer to play him again. So, Gillian Anderson is campaigning for the role. The Bond franchise is the dinosaur in the room; maybe a gender switch might freshen things up a bit. It's no stretch at all to imagine Gillian Anderson as an asskicker on H.M.'s Secret Service and being sexy as hell doing it. I want to see this, but we will probably have another James and not a Jane. Maybe Barbara Broccoli and company might take a look at Gillian Anderson and think "spinoff". They could even do a crossover allowing her to say "I don't take orders from you, Mister Bond, I'm a double-0". That would be excellent.


Tuesday, May 31, 2016

Game of Thrones 6-6 "Blood of My Blood"

This was one of the most geographically far-ranging episodes.

North of The Wall, Bran and Meera finally meet Uncle Benjen Stark. After almost dying at the hands of a whitewalker, Bejen has been at work slaying the undead with the help of an awesome flaming flail and magic acquired from the Children of the Forest. Bran has a vision that includes images of Ser Jamie slaying "the mad king" and of pyromancers mixing wildfire. King Arys's words "Burn them all" will apparently have some meaning later. Perhaps wildfire is the weapon to defeat the whitewalkers.

Down in Horn Hill in The Reach, the ancestral castle of house Tarley, Samwell brings Gilly home, and Lord Randyll proceeds to berate Sam for his weight. What Lord Randyll refuses to believe, but you and I know, is that looks are not everything, and that Sam, in spite of his soft looks, is now the real shit. He has been fighting for years up the frigid north against Wildling, Thens, Whitewalkers, mutineers and is more hardass than his father or any of his southron summer knights. Randyll then lets his prejudices show and insults Gilly for being a Wildling.
Later, that night, Lord Randyll gets the Tarly family's ancestral sword, Heartsbane, lifted under his nose by his own firstborn, before Sam and Gilly make their way in the dead of night for Oldtown and The Citidel. But don't feel bad for old Ranyll, that's what you get for being a complete dick. Besides, when the White Walkers come, Valyrian steel will be required AT THE WALL not hanging ON A WALL.

Talking about ageing lords who have had their day, we see Walder Frey again, who is apparently keeping himself alive simply out of spite for those who wish he would just die already, which is pretty much everybody. He is berating his sons for losing Riverrun to the Blackfish.

In the political chess game in Kings landing, we have check and mate. In a brilliant move, the combined houses of Lannister and Tyrell are outmaneuvered without a fight by the High Sparrow who's reformation is now the state religion with the conversion of King Tommen and Queen Margaery.

In the wildlands of Essos, Daenerys Stormborn gives her big "who wants to conquer the world with me" speech in front of her new khallassar from astride her mount. A mount which just happens to be a big fucking dragon.

In Bravvos, the girl fomerly known as nobody is now Arya Stark again. She blew here big initiation assignment. Her target was an actress, who, ironically, was playing Cersei Lannister in a bad satire. The actress mistakes Arya for a fangirl with a stage fascination, maybe a future actress, and asks "Do you like pretending to be someone you are not?" But, Arya was already acting, and the somebody she was not was the nobody girl. Arya gives the actress pointers in being Carsei, demonstrating a mature understanding of both herself and of her old archenemy. She knocks the poisoned cup out of the actress's hand at the last moment and fingers her understudy as the one who wanted her dead. Living with the faceless men has taught Arya not to be the hot and vengeful out of control killer she was a a girl, but, it also taught her that she is not one of them; scruple-less and willing to sacrifice anyone to the horrific god of death for the right donation to the House of Black and White. She embraces who she was meant to be all along, a noblewoman of House Stark with a sense of honesty and justice. That night, she trades her temple rags for a noblewoman's clothes, retrieves Needle from it's hiding place and then awaits in her chambers for The Waif who is sure to come that night to try to kill her. We know that when the Many-Faced-God is owed a death, he's not choosy. I think he will be satisfied with the waif.

After reading that Ian McShane will be on the show this season, I have been wondering when we will see him and who he will play. Since I have not seen him yet, my current guess is Archmaester Marwyn.




Tuesday, May 24, 2016

Game of Thrones: 6-5 "The Door"

Hold the Door! Hold the Door! Hold the Door! Hold Door! Hold Door! Hold Door! Ho Door! Ho Door! Ho Door! Hodor! Hodor! Hodor!

Wanted by Bureau of Temporal Investigations
Subject: Brandon Stark
Charge: Causing a predestination paradox
Note: Apprehend with extreme caution

I'm glad they gave our lovable simple giant the heroic end most people on G.O.T. do not get. It had echos of the last moments of another great-hearted giant in Dumas' bittersweet masterpiece, Man in The Iron Mask. Alexandre Dumas, it is said, cried when he killed off his personal favorite character, Porthos.
One almost forgets what else happened in this episode.

Sansa finally cuts Littlefinger down a few notches for leaving her with psychotic Ramsey Bolton. Littlefinger loves Sansa because she reminds him of his childhood love, Catherine.He sghould have been there to protect her, but he was not. This was the first time that he actually saw that his political tinkering hurts people. He needed to lose some of that ego. The former lady of the vale and future lady of the north is not to be trifled with.
Tormond is still giving Breienne "Do I make you horny?" looks.
Sansa sends Brienne to recruit her cousin "Blackfish" Brynden Tully. Knowing what lady Brienne finds in The Riverlands in "A Dance With Dragons", or what finds her, I'm truly frightened.

The scene that grabbed me was when Danerys ordered Ser Jorhah find a cure, heal himself and return to her. A knight needs a quest, and finding a cure for Greyscale is a worthy one.


Wednesday, May 18, 2016

Interesting Camera Review: Olympus Trip 35



Pictured here is the Olympus Trip 35, which was produced from 1967 to 1984. It is a 35 mm point and shoot and was designed as a sort of photographic travel notebook, hence the name. It has a nice Olympus Zuiko 40mm f/2.8. In spite of it's looks and simplicity, this is a real camera with a glass lens and a metal body, not some plastic lens hipster toy. It's a lovely camera and has developed a cult following. It's easy to find sites which cater to Trip 35 fans that sell accessories such as custom leather or leatherette covers, flashes, new light seals, lens caps, etc. Check out http://www.tripman.co.uk/

The metering is quite clever. Light is gathered by the selenium cells surrounding the lens. This meters the light and creates just enough charge for a very simple elecromechanical exposure system that uses, and to send a signal to the flash shoe. Depending on the light measured, the camera switches between just two shutter speeds, and then picks the aperture. The camera uses no batteries. If there is not enough light to take a photo, the shutter will not trip and a little red flag pops up in the viewfinder. The aperture stops on the ring are used for flash calculation. For normal daylight shooting you keep it set on "A". You can still set the ring to an aperture to fool the camera into thinking that it has a flash attached to make fun nighttime street photos and cityscapes. The focusing is just a four-setting range-focus system. For close-up portraiture, you have to look out for the parallax between the lens and what you are looking at through the viewfinder. Sometimes I forget to use the frame lines in the viewfinder and find that I have to do some cropping after I get my scans back.

The black camera I purchased at an estate sale for $5.00. The silver one came from eBay for about $30. I "steampunked" the Ebay camera slightly so I could shoot photos of people at these events while still being a fully costumed part of the action and not be "Mister Photographer Guy" with a bazooka-sized DSLR getting between me and full participation in the festivities. Some of my steampunk photos taken with the Trip are in the second post below this one.

I've been to a few of these cosplay type events. While some of the official "Mister Photographer Guys" have some truly outstanding work, others (that you see walking around in t-shirts and shorts with thousands of dollars worth of photo equipment), tend to just upload their entire SD cards without editing, so you see all the boringly composed shots and the ones washed out by too much fill flash. Film forces you to think. This is a brilliant little fun mechanical camera to take with you when you don't want to carry a full SLR.

The Trip 35 and the others that I will eventually show are cameras for the rest of us. I'm not a Professional Photographer. I don't make money off my work. Manytimes I'm off the mark, and I'm always willing to learn from someone willing to teach, but I believe that I have a pretty decent eye for composition. What I hope to show with these camera posts is that you don't need to schlep around fifty pounds of techno-wizbang equipment to make some decent photos for yourself, whether you do it for art's sake, or to just capture some memories.  

Monday, May 16, 2016

Game of Thrones 6-4

All the plotlines seem to be moving now. Sansa has grown from "person who things happen to" to  "person who makes things happen". And, Littlefinger's former protege is assuming her leadership position in the House Stark.  If Sansa has not convinced the vacillating Jon Snow that the time is now to make his move on Winterfell, our good Lord Ramsey's charming little epistle certainly did.With house Aran forces coming up from the south, I think the Starks will prevail for once.

Are we going to see a thing between Lady Brienne and Tormond Giantsbane? Tormond was definitely looking at her with that "now that's my kind of woman" look in his eyes.

Feel the Burn! The Dothraki hordes now all belong to the queen of dragons, after Emilia Clarke's badass fiery nude scene.

Cersei is correct. The high sparrow wants to overthrow all the traditional institutions. His tale of how he rejected his own bourgeois attitudes, which he held as an upwardly mobile a young man shows that underneath "that poor religious brother" affectation of his is a sort of Trotskyite monk, who, after bringing down the religious hierarchy, is now aiming to do the same to the Westrossi class system.

Some people from Steampunk World's Fair 2016







Thursday, May 12, 2016

Game of Thrones 6-3. "Oathbreaker".

In memory of Allister Thorne and Ollie (now their watch is ended) and Shaggydog.

At castle Black, Jon Snow shows us how to quit like a boss when he hangs the conspirators, hands "Dolorous Edd" Tollett the Lord Commander's cloak and exits stage right announcing "and now my watch is ended". We'll see now if he marches on Winterfell.

Ser Allister, at least was an honest enemy, a knight who always let you know exactly where you stood with him, even as he was committing mutiny . His last words were to the effect that he knew that Jon thought he was doing the right thing, which is fitting because we can say exactly the same of him. Like some of my favorite villains, Ser Allister believed himself to be the hero of his own story.

Meanwhile, at Winterfell, Smalljohn Umber delivers Asha and Rikkon to Ramsey. This may have been a ruse to get a male heir to house Stark back inside Winterfell, but if so, killing Shaggydog (assuming it was) was a pretty grim sacrifice. I can only note that Smalljohn declined to swear to house Bolton, which saves him from being an oathbreaker when he eventually turns against Ramsey. At the least, he is keeping his options open.

If you haven't been keeping track of the direwolves:
Ghost (Jon's): Still with Jon
Summer (Brandon's): Still with Bran
Grey Wind: (Robb's) deceased
Lady (Sansa's): deceased
Shaggydog (Rikkon's): deceased
Nymeria (Arya's): In the books, she is currently the alpha female of a pack terrorizing the Riverlands.

Speaking of Bran, through him we are slowly piking up clues to the past. This week, we witness the the famous fight at the Tower of Joy, but Max von Sydow, I mean the Three Eyed Raven, pulls Bran and ourselves out right before the R+L=J fans get what they have been waiting years to get because Beinoff and Weiss know what we want and are playing the long tease.

Meanwhile, in Essos, things are starting to move along. Danni is in Vas Dothrak with Darrio and Ser Jorah hot on her trail while attempts at nation building in Slaver's bay seem an utter failure.

Speaking of utter failures, we get another brilliant Peter Dinklage scene when Tyrion the Dragon Whisperer attempts a bit of small talk with Greyworm and Missandei who do not win any life of the party awards. The big winner in Meereen was Lord Varys. His scene with the harpy spy was a master class in how to speak softly and be ruthless.





Thursday, May 5, 2016

Game of Thrones 6-2 "Home"

I missed writing about episode one of this season. I just have to say, though, that Brienne of Tarth (Human Female Paladin, Lawful Good), is so awesome, she's becoming one of my favorites.

I usually get a Game of Thrones post out within a day or two, but, I've been a little busy. I'm really trying to get my shit together. today I've been filing and I'm no-where finished. I lost the registration renewal for the Thunderbird, and I may or may not have let my life insurance lapse.

Fair warning: My Game of Thrones recaps are written from the perspective of a reader of the books.

Let us now remember the dearly departed: Balon Greyjoy, Roose Bolton, and poor, innocent Walda Frey.

You knew what was coming in this episode before it happened, there WERE hints. A big part of the episode revolved around the Greyjoys, with repetitions of the Drowned God's prayer which ends with "What is dead may never die". We even see Euron "Crow's Eye" Greyjoy, apparently risen from death by drowning.

As resident psychopath Ramsey Bolton is adding patricide and infanticide to his long list of offences against the gods and against common decency, up at Castle Black, Jon Snow rises,  but not quite the way I imagined. Firstly, Jon has been operating two or three steps ahead of everyone else at Castle black for some time now, and also, he's already seen his predecessor killed in a mutiny, so I didn't expect him to be stupid enough to invite a mutiny upon himself without already being in cahoots with Melesandre. But, the episode also had to do with Mel and her crisis of faith, so I can see why they might have wanted to go this way. Jon is a warg, so, his consciousness would have been residing inside ghost these past few episodes. Because of this, I think, unlike other people revived by red priests (such as Lady Stoneheart, if we ever meet her), Jon's spirit is probably still whole.

It was all good, but it would have been so much more epic if they had done it this way:
Melesandre gives up, thinking that her magic hadn't worked. They all bring Jon's body out to the pyre and the usual words but, his body doesn't burn. At "and now, his watch is ended", he jumps out of Ghost and back into his own body and walks out of the fire legally free of his vow. If Jon is who some of us think he is, that would have been fitting. I can't wait for episode 3. Judging by the preview, It looks like we are going to see the fight at the Tower of Joy, and possibly Jon's origin story".

Saturday, March 12, 2016

Cameras: Nikon D70

I'm not turning this into a camera blog. Other people do that better than I do. I'm not a pro photographer. The only cameras I know are the ones I have,. I don't borrow equipment to review.  I just thought I'd share some of my own. Some of them have stories to tell. Making these blog entries will also force me to go out and do some shooting.
 My boss is always bugging me to do the photography for company events. After trying this "official photographer" stuff other ways (with film, and with a digital point and shoot), I knew that just needed to finally suck it up and get an actual DSLR.  Little did I know, this was a great time to get a used one. I really only had two criteria for a DSLR:
1: It had to be cheap
2: It had to work with the Nikkor lenses that I already own.
What you see above is my new-used Nikon D70. The lens is my AF-Nikkor 50mm f/1.4. I purchased the D70 body-only for less than $100 on ebay. It cost only $100 because it can be considered obsolete today. It takes still photos only, no video, and the sensor is only 6.1 mp. The D70 has a nice solid confidence-inspiring feel and great balance. I always expect a solidness in the hand from Nikons, and this camera has that. It actually feels like it means business, even though it was always a consumer or hobbyist level camera.
For more money, you can get a new camera in Nikon's "coolpix" range that has a lot more megapixels, but which also feels downright delicate, compared to a used "real" DSLR like this. The D70 is also not very big and is a pleasure to handle and carry.

Here's a size comparison with my F3

The camera's one big sin is it's tiny viewfinder to peer into. There is no split image focusing aid on the focusing screen, so I keep it in autofocus and let the camera do that work. In the viewfinder, the D70 has five focus areas (as apposed to the 30+ focus points in modern pro DSLRs). You switch focus areas with the round control pad thing on the back. In manual or aperture priority, the aperture is controlled by the wheel closest to your index finger in front of the shutter release. I'm old school and actually prefer a lens aperture ring. This doesn't feel so natural for me, even though I did once had an N6006 that required the same manipulation. 
Full creative control of light and focus isn't as easy and instinctive as it is with an actual manual camera, so, I'm fine with just using the full auto or the scene modes on the D70, even if that means I'm just using it as a glorified point-and-shoot. This camera makes simply running around snapping away at things and only thinking about composition pretty fun.

Here are two samples from my first batch of photos taken with the F70 and an AF Nikkor 50mm f/1.4 with the no color correction and no cropping.


 The matrix meter handled the backlighting well.
Pretty good colors.